She's discovered Red Bush's diaries from the 1690s, aka her formidable abolitionist Sephardi pirate queen ancestor. She must contend with its creature, a 352-year-old woolen murder machine in the form of a dandified, piratical sock monkey-it's already tried to kill her thrice. VanDirks, a planetary fast-food mega-corporation spawned in the 1600s, aims to conquer the world, starting with Olivia. Out of the dust and death of The Great Warming, after The Great Balkanization ended the rule of the Great Autarch, a West Coast solar empire rises: The Cascadian Federation. A darkly comedic, genre-bending trip through solarpunk sci-fi and science fantasy continues. In Redwood, rogue-AIs scheme and ancient ones plot the end of worlds, and some way off a llama orgles in the long night. Will she take up the burden of the galaxy? When they come for her, heads will roll. In 2043, Olivia Ermine's legacy is vengeance. To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. But that's just speculation.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. Johannes either doesn't remember or finds the quest pointless, and is angry at the player family for what he perceives as persecution for the king's initial betrayal. It may be that successive generations find that Johannes is truly immortal, and take up the mantle of killing him again and again. Whether it's for disappearing, or for ruining your livelihood, or whatever reason you decide is best, your family seeks to find that knight from long ago that left his journals of his adventures throughout the castle.Īs for NG+, I'm not as sure. So you, the player, acted out Johannes' will and killed him for his betrayal.Īnd now your family seeks to find you, the first knight, for what you've done. There was no acceptance, you were just a tool. There was no love, the king didn't care for you. You'd made it to the final goal, and were ready to finally gain his acceptance and his love and his inheritance.īut there was no inheritance. Presumably, you had let him go first after conquering the trials of the castle. You slayed the king when you saw him, alive and well, before the Fountain of Youth. And he found that the very reason he abandoned his family was for the approval of a king that now owned nothing, a king that sought only endless life to rule eternally. He didn't die, he didn't lose, he didn't get lost. The only problem is, Johannes made it to the king. Or are you seeking vengeance for Johannes bankrupting your family with his selfish action, seeking the king's approval in exchange for the well-being of his own children? This is false, Johannes mentions that the king entering bankrupted himself, as well as all of his children, Johannes included. so what do you do? You adventure, you get gold, you try to reach what you can only assume he never did. So why did they enter? Your father left years ago to regain the family's honor, but never returned. Your first character (after the tutorial), whoever they may be, is the child of that legendary knight that went after the treasure within Castle Hamson for his father the king.
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